[Frontline] Chhaava: Hindutva Propaganda Cinema, Sambhaji, Masculinity, Insecurity, and Bollywood’s Historical Myths
Source: https://frontline.thehindu.com/columns/chhaava-hindutva-propaganda-cinema-sambhaji-masculinity-insecurity-bollywood-historical-myths/article69294358.ece
Date of Publication: 2025/03/05
Name of Publication: Frontline
Date of Publication: 2025/03/05
Name of Publication: Frontline
Abstract
The article critiques the upcoming Bollywood film ‘Chhaava’ for promoting Hindutva ideology by portraying historical figures like Sambhaji in a manner that aligns with a hyper-masculine narrative. It discusses how such films may serve as propaganda tools, reinforcing certain myths and insecurities within the context of Bollywood’s depiction of history.
Sentiment
| Sentiment | Score | Analysis |
| India | The article expresses concern over the portrayal of historical narratives in cinema and their potential impact on societal perceptions in India. | |
| Hindu | While critical of the film’s approach, the article does not generalize its critique to Hinduism as a religion. | |
| Hindutva | The article is highly critical of Hindutva ideology, particularly in the context of its influence on cinematic portrayals of history. |
Bias Analysis
| Bias | Score | Analysis |
| Language | The language is analytical but carries a critical tone towards the film and its ideological underpinnings. | |
| Source | The article references the film ‘Chhaava’ and discusses its thematic elements, though it does not extensively cite external sources. | |
| Repersentation | The article presents a critical perspective on the film’s portrayal of historical figures, focusing on the potential implications of such representations. | |
| Mischaracterization | The critique is directed towards the film’s narrative choices rather than mischaracterizing the broader Hindu community. |
Intent Analysis
| Intent | Score | Analysis |
| Informative | 4 | The article provides an analysis of the film’s themes and their connection to broader ideological narratives. |
| Persuasive | 3 | The critique aims to persuade readers to consider the implications of certain portrayals in cinema. |
| Narrative | 2 | The article discusses the narrative choices of the film but does not employ a storytelling approach in its critique. |
| Expressive | 3 | The author expresses concern over the ideological influences in cinematic portrayals of history. |
| Directive | 1 | The article does not provide direct instructions or calls to action. |
Emotions Analysis
| Emotions | Score | Analysis |
| Outrage | 2 | The critique highlights concerns but does not employ shocking language. |
| Empathy | 3 | The article expresses disapproval of the film’s ideological underpinnings. |
| Shock | 2 | The focus is more on critique than fostering empathy. |
| Hope | 1 | The article does not convey a hopeful tone. |
| Fear | 2 | There is a subtle concern about the impact of such films on societal perceptions. |
| Neutral | 3 | The tone is analytical with critical insights. |